Music Education (B.M.)
| Supporting Music Course Work | 23 hours |
|---|---|
| Music History and Literature: | |
| MUSIC 2810 World Music Cultures | 3 hours |
| MUSIC 3870 Music History I | 3 hours |
| MUSIC 3880 Music History II | 3 hours |
| Music Theory: | |
| MUSIC 1610 Music Theory I and MUSIC 1620 Aural and Keyboard Skills 1 | 4 hours |
| MUSIC 1630 Music Theory II and MUSIC 1640 Aural & Keyboard Skills 2 | 4 hours |
| MUSIC 2610 Music Theory III and MUSIC 2620 Aural and Keyboard Skills 3 | 4 hours |
| MUSIC 3610 Arranging and Instrumentation | 2 hours |
| Music Education | 12 hours |
|---|---|
| MUSIC 2500 Conducting I | 2 hours |
| MUSIC 2510 Conducting II | 2 hours |
| MUSIC 3530 K-12 Instrumental Music Method | 4 hours |
| MUSIC 3550 K-12 Vocal Music Methods | 4 hours |
| Techniques | 8 hours |
|---|---|
Select 4 courses from the following: | 8 hours |
| Capstone | 2 hours |
|---|---|
| MUSIC 4980 Senior Capstone Seminar | 2 hours |
| Professional Education Courses Required for PK-12 Teaching Certification | 28 hours |
|---|---|
| EDUC 1010 Introduction to Education in the United States AND EDUC 1750 Field Experience | 3 hours |
| EDUC 2070 Human Development and Learning and EDUC 2070L Human Developlment and Learning Lab Laboratory | 4 hours |
| EDUC 2850 Education in a Pluralistic Society | 3 hours |
| EDUC 2870 Instructional Technology/SPED 2870 Instructional and Adaptive Technology | 3 hours |
| Gateway 1: Teacher Education Program Acceptance (interviews held each October and March) | |
| SPED 2070 Introduction to Special Education | 3 hours |
| Gateway 2: Clinical Teaching Practice (Informational Meetings held each October and March) | |
| EDUC 4790 Supervised Teaching in Elementary School Music | 5 hours |
| EDUC 4830 Supervised Teaching in Secondary School Music | 5 hours |
| EDUC 4990 Student Teaching Seminar | 2 hours |
Private Instruction in the student's major instrument, culminating in a final degree-recital solo performance (Junior or Senior Recital). This course may be taken twice for credit; example: a student performs a Junior Recital in their third year and a Senior Recital in their fourth year.
Archway Curriculum: Essential Connections: Experiential Learning: Intensive
Student must attend 12 approved recitals, concerts, or performances during the semester. Pass/Fail only.
Private instruction in piano. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in piano. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in piano. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in piano. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in organ. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in organ. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in organ. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in organ. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in voice. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in voice. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in voice. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in voice. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in flute. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in flute. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in flute. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in flute. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in oboe. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in oboe. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in oboe. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in oboe. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in clarinet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in clarinet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in clarinet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in clarinet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in saxophone. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in saxophone. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in saxophone. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in saxophone. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in bassoon. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in bassoon. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in bassoon. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in bassoon. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in french horn. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in french horn. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in french horn. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in french horn. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trumpet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trumpet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trumpet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trumpet. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trombone and euphonium. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trombone and euphonium. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trombone and euphonium. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in trombone and euphonium. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in tuba. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in tuba. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in tuba. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in tuba. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in percussion. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in percussion. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in percussion. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in percussion. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in guitar. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in guitar. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in guitar. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in guitar. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in violin. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in violin. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in violin. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in violin. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in viola. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in viola. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in viola. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in viola. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in cello. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in cello. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in cello. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in cello. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in string bass. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in string bass. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in string bass. No P/F.
Prerequisite(s): Permission of instructor.
Private instruction in string bass. No P/F.
Prerequisite(s): Permission of instructor.
Large mixed-voice premiere choral ensemble. Performs concerts at home and on annual tours. No P/F.
Prerequisite(s): Admission by audition.
(Offered each semester with full-year enrollment expectation.)
Large orchestral ensemble made up of strings, winds, and percussion. No P/F.
(Offered each semester with full-year enrollment expectation.)
Large symphonic ensemble made up of winds and percussion. Performs concerts at home and on annual tours. No P/F.
(Offered each semester with full-year enrollment expectation.)
A variety of chamber ensembles (quartets, quintets, octets, etc.) that perform a variety of chamber music appropriate to the ensemble. No P/F.
Prerequisite(s): Permission of instructor.
Approximately sixteen-voice ensemble that performs songs in a variety of jazz styles in concerts at home and on annual tours. No P/F.
Prerequisite(s): Admission by audition.
(Offered each semester with full year enrollment expectation.)
The Prairie Wolves Pep Band provides musical entertainment at various Nebraska Wesleyan University football and basketball events on campus. The music played in the pep band includes examples from swing, jazz, classic rock and roll, and other appropriate genres. No P/F.
Seventeen-piece big band that performs a variety of jazz styles during concerts at home and on annual tours. No P/F.
Ensemble that performs an opera production in its entirety. No P/F.
Prerequisite(s): Admission by audition of permission of the instructor.
(Normally offered each spring semester.)
A mixed, non-auditioned choral ensemble that performs concerts on campus and in the community.
No P/F.
(Offered each semester)
Key cultural concepts are used to explore music from selected global case studies. Social, cultural, and historical contexts are examined in relation to musical materials and their application in various traditions and repertoires. The fieldwork project (and experiential learning component) for this class requires some off-campus activities to be arranged by the student.
Archway Curriculum: Essential Connections: Diversity Instructive: Global
Archway Curriculum: Essential Connections: Discourse Instructive
Archway Curriculum: Essential Connections: Experiential Learning: Exploratory
Archway Curriculum: Integrative Core: Identity Thread
This course examines the development of ideas and styles in the Western European musical tradition during the Middle Ages, Renaissance, Baroque, and Classical Periods. The course is designed to develop your knowledge of Western musical repertoire from these time periods and your understanding of the cultural, aesthetic, and stylistic aspects of that music. We explore the relationships between the music and the history and cultures of Western Europe. In addition, we focus on the roles of women in music.
Archway Curriculum: Essential Connections: Discourse Instructive
Archway Curriculum: Foundational Literacies: Diversity, Equity, and Inclusion – Global
Archway Curriculum: Integrative Core: Identity Thread
This course examines the development of ideas and styles in the Western European musical tradition during the nineteenth, twentieth, and early twenty-first centuries. The course is designed to develop your knowledge of Western musical repertoire from these time periods and your understanding of the cultural, aesthetic, and stylistic aspects of that music. We explore the relationships between the music and the history and cultures of Western Europe and the United States. In addition, we address the roles of black musicians, particularly in the United States.
Archway Curriculum: Essential Connections: Discourse Instructive
Archway Curriculum: Foundational Literacies: Diversity, Equity, and Inclusion – U.S.
Archway Curriculum: Integrative Core: Identity Thread
A review of the fundamentals of music (scales, key signatures, intervals) and the presentation of triads and their harmonic and melodic implications. Students at the appropriate skill level may attempt to test out of this course. Please see the instructor or Department Chair for more information.
Corequisite(s): MUSIC 1620 Aural and Keyboard Skills 1.
This course introduces first-year music majors and minors to foundational musicianship skills through the coordinated study of aural skills, sight singing, rhythmic literacy, and functional keyboard use. The course emphasizes the development of audiation, pattern recognition, solfège-based pitch relationships, rhythmic organization, and basic harmonic understanding through integrated vocal, aural, visual, and keyboard-based activities. This course serves as the first level in a three-course sequence designed to progressively increase in musical complexity and technical difficulty. No P/F.
Corequisite: MUSIC 1610 Music Theory I.
A continuation of MUSIC 1610 including inversions of triads, non-harmonic tones, dominant seventh chords, and their resolutions. Emphasis is on four-part writing and analysis of music from the Common Practice Period.
Prerequisite(s): MUSIC 1610 Music Theory I or permission of the instructor.
Aural & Keyboard Skills 2 is the second course in a three-semester integrated musicianship sequence for music majors. The course expands students' audiation, sight singing, rhythmic fluency, harmonic perception, and functional keyboard skills within diatonic tonal contexts. Emphasis is placed on compound intervals, seventh chords, cadential function, melodic elaboration of harmonic progressions, and functional prolongation using chord inversions. Students engage in coordinated singing, dictation, analysis, and keyboard realization activities designed to strengthen the relationship between hearing, notation, and physical performance. The course prioritizes functional understanding and musical fluency rather than instrumental virtuosity.
Prerequisite(s): MUSIC 1610 Music Theory I and MUSIC 1620 Aural and Keyboard Skills 1.
Corequisite(s): MUSIC 1630 Music Theory II.
Seventh chords, including the diminished seventh chord; various types of modulation; introduction of secondary dominants; analysis and writing of the period, binary, and ternary song forms; choral harmonization; and modal scales.
Prerequisite(s): MUSIC 1630 Music Theory II or permission of the instructor.
This is the final course in a three-semester integrated musicianship sequence for music majors. The course develops advanced aural, analytical, and realization skills through the coordinated study of audiation, sight singing, rhythmic organization, harmonic perception, and functional keyboard use. Emphasis is placed on hierarchical pitch awareness, chromatic harmony, harmonic substitution, and modulation within tonal contexts. Students engage in singing, dictation, transcription, and keyboard-based realization activities that reinforce the relationship between hearing, analysis, and physical performance. The course prioritizes functional understanding and internalization of musical structures rather than instrumental virtuosity. No Pass/Fail.
Prerequisite(s): MUSIC 1630 Music Theory II and MUSIC 1640 Aural & Keyboard Skills 2 or permission of the instructor.
Corequisite(s): MUSIC 2610 Music Theory III.
The study of arranging techniques for instrumental and vocal ensembles, including the ranges and capabilities of instruments and voices and scoring procedures.
Prerequisite(s): MUSIC 2610 Music Theory III.
(Normally offered fall semester of even years.)
An introduction to technique and conducting style with emphasis given to developing a non baton competency. Attention also will be given to vocal interpretation and choral score reading.
Prerequisite(s): Sophomore standing or permission of the instructor.
(Normally offered each fall semester.)
Continuation of MUSIC 2500 Conducting I with emphasis on instrumental pedagogy, principles of instrumental transcription, orchestration, instrumental ranges and idiomatic characteristics, and score preparation.
Prerequisite(s): MUSIC 2500 Conducting I or permission of the instructor.
(Normally offered each spring semester.)
This course is designed to prepare students for teaching instrumental music in late elementary, middle and senior high school. Students will develop knowledge, skills and techniques for planning, delivering, and evaluating music instruction; organizing and administering an instrumental music program; and curriculum development, material selection, rehearsal procedures, and the philosophy of instrumental music teaching.
A survey of teaching vocal music in the secondary schools (grades 7-12). Emphasis is on administration, organization, rehearsal procedures, materials, and the philosophy of music as a public school subject. A Music Practicum Placement is incorporated in this course.
Class instruction on all woodwind instruments with emphasis on performance and teaching techniques. Students will develop proficiency on three woodwind instruments.
Class instruction on all brass instruments with emphasis on performance and teaching techniques. Students will develop proficiency on three brass instruments.
Class instruction in violin, viola, cello, and bass with emphasis on performance and teaching techniques.
Class instruction in the performance and teaching techniques of percussion instruments.
A study of the phonetics and pronunciation of the international phonetic alphabet (IPA) and languages appropriate to the singer.
(Normally offered fall semester of even years.)
This course introduces a systematic pedagogical approach to the study of voice production for use in the studio or classroom. Students examine basic anatomy and physiology, vocal health, and other topics relevant to voice teaching. Students will apply these concepts through supervised teaching experiences both in and out of class.
(Normally offered fall semester of even years.)
Advanced research methods, analytical writing, and professional presentation skills compromise the primary components of this rigorous culminating course, which focuses on the integration and application of knowledge and prepares students for the transition from their undergraduate education into their future profession. The Senior Capstone Seminar should be taken during the student's last year in residence at Nebraska Wesleyan University.
Prerequisite(s): Music major with senior standing or permission of the instructor.
(Normally offered each fall semester.)
A course providing a broad, general survey of education in the United States, designed to help students decide whether to continue coursework in professional education. This course is a prerequisite to further work in the department.
(Normally offered each semester.)
A course designed to allow students an opportunity to determine if they have a talent for teaching. Students will be assigned to assist an elementary, or secondary school teacher for a designated period of time each week. May be repeated a maximum of three times.
Pass/Fail only.
Pre or corequisite(s): EDUC 1010 Introduction to Education in the United States.
(Normally offered each semester.)
This course designed to acquaint students with the basic principles of growth and all phases of human development with emphasis on the principles of learning and their application in the field of education. Students will be required to also enroll in EDUC 2070L Human Developlment and Learning Lab Laboratory; a field experience of 45 hours in a local school setting.
Prerequisite(s): EDUC 1010 Introduction to Education in the United States and EDUC 1750 Field Experience, or permission instructor by prerequisite waiver.
Corequisite: EDUC 2070L Human Developlment and Learning Lab Laboratory
Students observe/assist in educational settings associated with our P-12 school system. No Pass/Fail.
Prerequisite: EDUC 1010 Introduction to Education in the United States and EDUC 1750 Field Experience
Corequisite: EDUC 2070 Human Development and Learning
This course helps future teachers and coaches recognize and understand biases experienced by groups and individuals due to race, ethnicity, gender, social class, religion, exceptionality, sexual orientation, and language background to help them work effectively with a diverse student or student-athlete population. This course meets the Nebraska Human Relations Training requirement for teacher certification and for the NSAA coaching certification
Pre or Corequisite(s): EDUC 1010 Introduction to Education in the United States or declared Coaching minor, or permission of instructor.
(Normally offered each semester.)
Archway Curriculum: Essential Connections: Diversity Instructive: U.S.
Archway Curriculum: Integrative Core: Democracy Thread
See SPED 2870 Instructional and Adaptive Technology.
This course is the study of the various forms of instructional technology available to today's educators. Instructional technologies include computers, data bases, wireless telecommunication, augmentative communication software, literacy, and mathematic support software. Specific emphasis is placed on those forms of adaptive technology that will assist the teaching and learning of students with disabilities.
Cross listed with EDUC 2870.
(Normally offered each semester.)
This course provides an overview of basic concepts related to the inclusive education of differently abled students. A broad understanding of a range of low and high incidence disabilities will be explored. Historical factors, legislation, litigation, service delivery models, and cross-cultural issues are examined in the course. Students may be required to complete a fieldwork experience that will allow them an opportunity to assist kindergarten, elementary, middle school, junior high, or secondary special education students for a designated period of time. No P/F.
(Normally offered each fall semester.)
Students work with one or more music teachers in an elementary school.
Prerequisite(s): Acceptance into the Teacher Education Program or permission of the department chair.
Students work with one or more music teachers in a secondary school.
Prerequisite(s): Completion of preliminary student teaching requirements or approval of the department chair.
A capstone course that meets biweekly for two hours to focus on two areas: first, to provide a structured and safe environment to dialogue about student teaching successes and concerns; and second, invited speakers, students and the instructor will discuss topics most pertinent to student teaching, how to obtain a teaching position, and critical issues for the beginning teacher. Topics include educational law, morals and ethics, student/teacher/parent rights and responsibilities, establishing and maintaining positive communication with the staff and community, as well as interviewing and job search skills.
Corequisite(s): Student teaching or permission of the department chair.
(Normally offered each semester.)
Archway Curriculum: Essential Connections: Speaking Instructive